Everyone knows the glamorous end of Lake Como. George Clooney’s end. The end with the wedding photographers hanging out of boats. I am not staying at that end.
I have set up camp in a village house near Colico, at the top of the lake where the mountains come down to the water like they mean it and the ferries are still half full of locals with shopping bags. A week here, a weekly train pass in my pocket, and a host who welcomed me like a returning cousin. This is base camp for the next stretch of the trip, and honestly, I think I got the better deal.

First order of business was unpacking the travelling studio. It is a humble operation: sketch pads, the pen roll, business cards (yes Mum, I packed business cards, this is a working trip), and the iPad with a small portfolio of works in case a gallery conversation happens. It all fits in one daypack, which after years of hauling a market stall around south-east Queensland feels like cheating.
Second order of business was meeting the neighbours. The village dog inspected my setup, approved it, and flopped down on cobbles that have been polished by about six centuries of exactly this. I did a slow page of him while he slept. Dogs are the best life models… they hold a pose like professionals and never ask to see the drawing.
The plan from here is simple and a little bit greedy. Bellano is a few minutes down the line, Varenna and Bellagio a ferry ride away, and Chiavenna sits up a valley to the north with a story I have been saving. The week has two jobs written at the top of its page: build the subject library, and start the artwork. Movement in water, movement in people, photographs turned into line. One town a day, one set of pages a day, and back to base before the light goes… that is the shape of a working week out here.
The light this evening was ridiculous. The kind of gold that makes you swear off drawing indoors forever. Tomorrow, Bellano, and a painter I have wanted to meet on his home ground for a long time.



